Today’s blog is about critiquing etiquette. Few things rile me more than bullies, and I’m not talking about junior high kids. When we writers put our work out there, we open ourselves up to criticism. Sometimes we solicit feedback and sometimes we don’t, but it’s never easy to swallow negative comments, even when they’re done right.
The catalyst for my writing on this subject was a heavy-handed and unsolicited critique received by a friend and published writer that left her feeling demoralized. It’s difficult enough to break into the world of being a published author without having someone stomp all over your self-esteem. We all are good at doing that to ourselves already.
Here are some of the phrases used in the offending critique:
- I’m going to give you a lesson in….
- I rewrote the scene.
- Your problem is…
- This makes no sense.
Comments like these are red flags that this person is a thug. My guidelines for setting boundaries to combat this kind of verbal abuse are simple:
- Never allow anyone to take your voice from you and replace it with his/her own. Suggestions and examples are fine, but to re-write someone else’s work is wrong. As a writer, you have your own distinct style (even if it is not yet fully formed) and you must protect it.
- Never allow anyone to affect how you feel about yourself or your writing. Do not give them that power over you.
Respect the Writer
I’d like to remind those who critique other people’s writing that it’s an act of courage to show one’s work to others. Remember the old adage: Treat others the way you would like to be treated.
As an editor in the corporate and nonprofit world for many years, I have worked with countless people to help them improve their writing. It’s daunting enough for them to look at a page of red marks without belittling them as well. Most of the people I’ve worked with are not writers. They’re experts in a particular field and are expected or required to produce reports documenting their findings or research. They are usually highly skilled and knowledgeable about their areas of expertise, and yet often feel vulnerable and insecure when it comes to writing. A good editor handles those communications with tact, consideration and above all, respect.
I recently reread Neil Gaiman’s 8 Rules of Writing. Two of those are especially helpful in regard to what other’s think about your writing:
- Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
- The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.
And finally, if a writer asks for your feedback, be honest. Honesty and kindness can go hand in hand.
You raise some good points. WHen I take a story to a critique group I want it critiqued (not a love-in) but there a ways of going about giving constructive feedback. One thing about working with the same people in a critique group is getting to know the member so that over time you know who to take seriously and who to just smile and nod at but ignore.
Hi Janet, I’m lucky to belong to a great critique group and I agree, it’s important to get constructive feedback.
Finding a critique group is not easy. I think you need to try one out for a while – they are not all the same, each has a different dynamic and you need to find one that suits you.
Excellent post and advice.
Thanks for commenting!
Great points. I think some people are just not polite enough and can’t think beyond their own viewpoints. On the other hand anyone who creates something is opening the door to criticism some are constructive, some are simply there to reflect the frustration of the criticizer. These ones are easy to spot and one should handle them accordingly. There’s a chance that somewhere, someone won’t like what you came up with. Confidence is the key I think. Words can hurt but if one is confident enough then there can be no problem.
Hi Bernadette! Thanks for commenting and it’s so true, writers and artists definitely have to develop a thick skin.
Great article, Linda, and a good reminder to all of us who are in writing groups to be kind when we critique.
Hi Pam! Thanks for commenting. The group we’re in together is wonderful. We got lucky!
Love the first Neil Gaiman quote, so true! My old lecturer recommended a “feedback sandwich” with two positive points acting as the bread and the negative stuff as the filling! It’s a good way to be critical without knocking a writer’s confidence.
Hi Kevin, thanks for commenting. I just checked out your piece on Elizabeth Cotton and loved it!
Well said, Linda! I agree wholeheartedly and also appreciate that you practice what you preach.
Great wisdom Linda!! Thanks for sharing 🙂
Thanks for commenting! I’m enjoying your insightful posts as well.