Storyboarding Ideas for NaNo

It’s day thirteen of the NaNoWriMo challenge. My head has been down and fingers flying over the keyboard, and now it’s time to step back and plan ahead.

My characters, setting and first act are in place, I know how it’s going to end and most of the plot elements, but in order to tell my story in a way that will engage my readers and keep them guessing but not confused or bored, I need a guideline.

I prefer a visual roadmap so outlining is not for me. In the past, I’ve used the Mary Carroll Moore W and liked its simplicity and the help it offers with ascending and descending action.

Last March I attended Alexandra Sokoloff’s workshop at Left Coast Crime and immediately bought her book, Screenwriting Tricks for Authors. The grid is more complex but Sokoloff offers lots of good tips and advice.

Most recently, I read a blog post by an author in my Sisters in Crime chapter, who draws the scenes on her storyboard. I’m not an illustrator, but I’m going to try using a combination of Sokoloff’s index card/sticky note method and include drawings of key scenes.

Who says a writer can’t be creatively organized and crank out 1700 words a day? I’m always interested in hearing what works for other writers, and would love your suggestions.

NaNoWriMo Begins November 1

Back in Feburary I posted a blog, How NaNoWriMo Changed my Writing Habit and in it I talked about how easy it was for me to keep to the writing schedule during that month. I thought I’d changed my usual habit of procrastination for all time. Not exactly!

Last week in my Friday writing group, I wrote this piece about procrastination in response to one of our prompts:

DRAFT FOUR

Boot up laptop, organize notes, open novel

Get coffee

Make two trips back to kitchen to perfect ratio of coffee to soy creamer

Sit at laptop. Find page 246

Old girl’s toenails click on hardwood, white muzzle appears at office door

Fill her food dish, add one tab Benedryl , one-half tab arthritis med, one-half tab pain med

Sit at laptop

Coffee is cold. Trip to kitchen to warm in microwave

Old Girl has spit out her meds

Wrap a chunk of last night’s chicken breast around pills and pop in her mouth

Sit at laptop

Read first sentence of Chapter Twenty. Too many prepositions. Reword it

Read again. Too choppy. Add prepositions, but not as many

Check emails. Friends tell about new haircut, how the kids are doing, how busy they are

Respond to emails. Tell friends about weekend plans and new gray sofa

Look at clock. Close gmail

Read first page of Chapter Twenty. Decide that it should be part of Chapter Nineteen so cut and paste

Check Facebook. Niece posted adorable photos of new twins. Six political commentaries, a hs classmate so proud in his camo outfit, shot an Elk and posted photo of its severed head. Delete photo

Check time. Close Facebook and resume editing novel

Old Girl whines for a walk

Close laptop, find shoes, jacket, key

Slow circuit around block takes longer every day

Open laptop

Chapter Nineteen no longer ends on a cliffhanger.  Delete last change and add back to beginning of Chapter Twenty

Stomach growls

Read paper with breakfast

Check time. Open laptop

Redundant third paragraph on page 292. Reword

Phone rings. He asks, How’s the writing going?

She says, Worked all morning. Need a break!

NaNoWriMo starts in two days and I’m gearing up to write again. I’m hoping for a repeat of my good record last time. If you are doing NaNo this year I’d love to hear how it’s going for you. I plan to blog about the process as the month, and my writing progresses!

Change of Seasons

This morning I did a reverse spring cleaning, washing and airing out all my bedding. Fall hasn’t arrived yet in California but it’s right around the corner. I thought my purpose in stripping the bed and washing comforters was to prepare for a new season, until I was struck by the symbolism of it all.

I’ve nearly finished my final draft of Focused on Murder and am gearing up for the next step  by mentally clearing away the past season of writing and editing  to make space for a new effort: Publishing my book.

Frightful

Publishing a book is one more step in a long list of scary transitions that must take place to get a book from conception to making its way into the world.

It used to be easier: Do your research.  Find agents who handle your type of book, send queries and wait. If agents like your pitch, they ask to see the first chapter and a synopsis. Months later, you might get a letter saying it wasn’t what they were looking for. Or they might want to take you on as a client, but then might not be able to sell your book to a publisher.

The outcome is out of your control so all you can do is keep trying to get one of the gatekeepers to let you in the magic door. It wasn’t easier to get published, just less complicated when the outcome of your work was decided by someone else.

Change of Focus

Today, an almost overwhelming smorgasbord of options exists to get a book published. Of course, tackling anything new is daunting but diving under those clean sheets and comforter and hibernating rather than taking on the unknown was not an option. Instead, I chose to look at it with a certain alert curiosity and an expanding mindset that:

  • Turns toward a new experience with anticipation
  • Welcomes a chance to learn something new
  • Loves an adventure
  • Takes charge of my own destiny to make my own decisions and my own mistakes.

But for right now, my next steps are to do research and make the bed.

Contemplating the Gap

I recently read It’s Not How Good You Are, It’s How Good You Want to Be: The World’s Best Selling Book by Paul Arden. The book was first published in 2003 and is geared toward the advertising field but has gained a much wider audience. I flipped through the book and picked out a few phrases that sounded like platitudes but they caused quite an internal tug of war between my skepticism and what I’d like to believe is true or possible.  Contemplating that gap told me a lot about what might be keeping me circling instead of moving forward.

  • You can achieve the unachievable.
  • You must develop complete disregard for where your abilities end.
  • Try to do the things you’re incapable of.
  • Make your vision of where you want to be your reality.
  • Nothing is impossible.
  • Do not look for your next opportunity. The one you have in hand is the opportunity.
  • If you can’t solve a problem, it’s because you’re playing by the rules.
  • The person who doesn’t make mistakes is unlikely to make anything.
  • How you perceive yourself is how others will see you.
  • If you get stuck, draw with a different pen. Change your tools.

This small book has lots of drawings and quotes, perfect when someone needs a nudge. And who doesn’t now and then?

Be Kind!

Today’s blog is about critiquing etiquette. Few things rile me more than bullies, and I’m not talking about junior high kids. When we writers put our work out there, we open ourselves up to criticism. Sometimes we solicit feedback and sometimes we don’t, but it’s never easy to swallow negative comments, even when they’re done right.

The catalyst for my writing on this subject was a heavy-handed and unsolicited critique received by a friend and published writer that left her feeling demoralized. It’s difficult enough to break into the world of being a published author without having someone stomp all over your self-esteem. We all are good at doing that to ourselves already.

Here are some of the phrases used in the offending critique:

  • I’m going to give you a lesson in….
  • I rewrote the scene.
  • Your problem is…
  • This makes no sense.

Comments like these are red flags that this person is a thug. My guidelines for setting boundaries to combat this kind of verbal abuse are simple:

  • Never allow anyone to take your voice from you and replace it with his/her own. Suggestions and examples are fine, but to re-write someone else’s work is wrong. As a writer, you have your own distinct style (even if it is not yet fully formed) and you must protect it.
  • Never allow anyone to affect how you feel about yourself or your writing. Do not give them that power over you.

Respect the Writer

I’d like to remind those who critique other people’s writing that it’s an act of courage to show one’s work to others. Remember the old adage: Treat others the way you would like to be treated.

As an editor in the corporate and nonprofit world for many years, I have worked with countless people to help them improve their writing. It’s daunting enough for them to look at a page of red marks without belittling them as well. Most of the people I’ve worked with are not writers. They’re experts in a particular field and are expected or required to produce reports documenting their findings or research. They are usually highly skilled and knowledgeable about their areas of expertise, and yet often feel vulnerable and insecure when it comes to writing. A good editor handles those communications with tact, consideration and above all, respect.

I recently reread Neil Gaiman’s 8 Rules of Writing. Two of those are especially helpful in regard to what other’s think about your writing:

  • Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
  • The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.

And finally, if a writer asks for your feedback, be honest. Honesty and kindness can go hand in hand.